Jack London, from Wikipedia:
"Jack London" (born John Griffith Chaney, 1876 – 1916) was an American novelist, journalist, and social activist. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone, including science fiction.
Some of his most famous works include The Call of the Wild and White Fang, both set in the Klondike Gold Rush, as well as the short stories "To Build a Fire", "An Odyssey of the North", and "Love of Life". He also wrote of the South Pacific in such stories as "The Pearls of Parlay" and "The Heathen", and of the San Francisco Bay area in The Sea Wolf.
London was part of the radical literary group "The Crowd" in San Francisco and a passionate advocate of unionization, socialism, and the rights of workers. He wrote several powerful works dealing with these topics, such as his dystopian novel The Iron Heel, his non-fiction exposé The People of the Abyss, and The War of the Classes.
On July 12, 1897, London (age 21) and his sisters husband Captain Shepard sailed to join the Klondike Gold Rush. This was the setting for some of his first successful stories. Londons time in the harsh Klondike, however, was detrimental to his health. Like so many other men who were malnourished in the goldfields, London developed scurvy. His gums became swollen, leading to the loss of his four front teeth. A constant gnawing pain affected his hip and leg muscles, and his face was stricken with marks that always reminded him of the struggles he faced in the Klondike. Father William Judge, "The Saint of Dawson", had a facility in Dawson that provided shelter, food and any available medicine to London and others. His struggles there inspired Londons short story, "To Build a Fire" (1902, revised in 1908), which many critics assess as his best.
His landlords in Dawson were mining engineers Marshall Latham Bond and Louis Whitford Bond, educated at Yale and Stanford. The brothers father, Judge Hiram Bond, was a wealthy mining investor. The Bonds, especially Hiram, were active Republicans. Marshall Bonds diary mentions friendly sparring with London on political issues as a camp pastime.
London left Oakland with a social conscience and socialist leanings; he returned to become an activist for socialism. He concluded that his only hope of escaping the work "trap" was to get an education and "sell his brains". He saw his writing as a business, his ticket out of poverty, and, he hoped, a means of beating the wealthy at their own game. On returning to California in 1898, London began working to get published, a struggle described in his novel, Martin Eden (serialized in 1908, published in 1909). His first published story since high school was "To the Man On Trail", which has frequently been collected in anthologies. When The Overland Monthly offered him only five dollars for it—and was slow paying—London came close to abandoning his writing career. In his words, "literally and literarily I was saved" when The Black Cat accepted his story "A Thousand Deaths", and paid him $40—the "first money I ever received for a story".
London began his writing career just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public and a strong market for short fiction. In 1900, he made $2,500 in writing, about $72,000 in todays currency. Among the works he sold to magazines was a short story known as either "Diable" (1902) or "Bâtard" (1904), in two editions of the same basic story; London received $141.25 for this story on May 27, 1902. In the text, a cruel French Canadian brutalizes his dog, and the dog retaliates and kills the man. London told some of his critics that mans actions are the main cause of the behavior of their animals, and he would show this in another story, The Call of the Wild.
While living at his rented villa on Lake Merritt in Oakland, London met poet George Sterling; in time they became best friends. In 1902, Sterling helped London find a home closer to his own in nearby Piedmont. In his letters London addressed Sterling as "Greek", owing to Sterlings aquiline nose and classical profile, and he signed them as "Wolf". London was later to depict Sterling as Russ Brissenden in his autobiographical novel Martin Eden (1910) and as Mark Hall in The Valley of the Moon (1913). In later life London indulged his wide-ranging interests by accumulating a personal library of 15,000 volumes. He referred to his books as "the tools of my trade".
On August 18, 1904, London went with his close friend, the poet George Sterling, to "Summer High Jinks" at the Bohemian Grove. London was elected to honorary membership in the Bohemian Club and took part in many activities. Other noted members of the Bohemian Club during this time included Ambrose Bierce, Gelett Burgess, Allan Dunn, John Muir, Frank Norris, and Herman George Scheffauer.
London had contrasted the concepts of the "Mother Woman" and the "Mate Woman" in The Kempton-Wace Letters. His pet name for Bess had been "Mother-Girl;" his pet name for Charmian was "Mate-Woman."[35] Charmians aunt and foster mother, a disciple of Victoria Woodhull, had raised her without prudishness. Every biographer alludes to Charmians uninhibited sexuality.
London in 1914
Stasz writes that London "had taken fully to heart the vision, expressed in his agrarian fiction, of the land as the closest earthly version of Eden ... he educated himself through the study of agricultural manuals and scientific tomes. He conceived of a system of ranching that today would be praised for its ecological wisdom." He was proud to own the first concrete silo in California, a circular piggery that he designed. He hoped to adapt the wisdom of Asian sustainable agriculture to the United States. He hired both Italian and Chinese stonemasons, whose distinctly different styles are obvious. But the ranch was an economic failure
Londons fiction featured several suicides. In his autobiographical memoir John Barleycorn, he claims, as a youth, to have drunkenly stumbled overboard into the San Francisco Bay, "some maundering fancy of going out with the tide suddenly obsessed me". He said he drifted and nearly succeeded in drowning before sobering up and being rescued by fishermen. In the dénouement of The Little Lady of the Big House, the heroine, confronted by the pain of a mortal gunshot wound, undergoes a physician-assisted suicide by morphine. Also, in Martin Eden, the achats principal protagonist, who shares certain characteristics with London, drowns himself.
Jack London in his office
London was vulnerable to accusations of plagiarism, both because he was such a conspicuous, prolific, and successful writer and because of his methods of working. He wrote in a letter to Elwyn Hoffman, "expression, you see—with me—is far easier than invention." He purchased plots and novels from the young Sinclair Lewis and used incidents from newspaper clippings as writing material.
Atheism
London was an atheist. He is quoted as saying, "I believe that when I am dead, I am dead. I believe that with my death I am just as much obliterated as the last mosquito you and I squashed."
Socialism
London wrote from a socialist viewpoint, which is evident in his novel The Iron Heel. Neither a theorist nor an intellectual socialist, Londons socialism grew out of his life experience. As London explained in his essay, "How I Became a Socialist", his views were influenced by his experience with people at the bottom of the social pit. His optimism and individualism faded, and he vowed never to do more hard physical work than necessary. He wrote that his individualism was hammered out of him, and he was politically reborn. He often closed his letters "Yours for the Revolution."
London joined the Socialist Labor Party in April 1896. In the same year, the San Francisco Chronicle published a story about the twenty-year-old London giving nightly speeches in Oaklands City Hall Park, an activity he was arrested for a year later. In 1901, he left the Socialist Labor Party and joined the new Socialist Party of America. He ran unsuccessfully as the high-profile Socialist nominee for mayor of Oakland in 1901 (receiving 245 votes) and 1905 (improving to 981 votes), toured the country lecturing on socialism in 1906, and published two collections of essays about socialism: The War of the Classes (1905) and Revolution, and other Essays (1906).
Stasz notes that "London regarded the Wobblies as a welcome addition to the Socialist cause, although he never joined them in going so far as to recommend sabotage." Stasz mentions a personal meeting between London and Big Bill Haywood in 1912.
In his late (1913) book The Cruise of the Snark, London writes, about appeals to him for membership of the Snarks crew from office workers and other "toilers" who longed for escape from the cities, and of being cheated by workmen.
In his Glen Ellen ranch years, London felt some ambivalence toward socialism and complained about the "inefficient Italian labourers" in his employ.[64] In 1916, he resigned from the Glen Ellen chapter of the Socialist Party, but stated emphatically he did so "because of its lack of fire and fight, and its loss of emphasis on the class struggle." In an unflattering portrait of Londons ranch days, California cultural historian Kevin Starr refers to this period as "post-socialist" and says "... by 1911 ... London was more bored by the class struggle than he cared to admit."
George Orwell, however, identified a fascist strain in Londons outlook:
But temperamentally he was very different from the majority of Marxists. With his love of violence and physical strength, his belief in natural aristocracy, his animal-worship and exaltation of the primitive, he had in him what one might fairly call a Fascist strain.
Works: Short stories
Londons 1903 story "The Shadow and the Flash" was reprinted in the June 1948 issue of Famous Fantastic Mysteries
Western writer and historian Dale L. Walker writes:[74]
Londons true métier was the short story ... Londons true genius lay in the short form, 7,500 words and under, where the flood of images in his teeming brain and the innate power of his narrative gift were at once constrained and freed. His stories that run longer than the magic 7,500 generally—but certainly not always—could have benefited from self-editing.
Londons "strength of utterance" is at its height in his stories, and they are painstakingly well-constructed. "To Build a Fire" is the best known of all his stories. Set in the harsh Klondike, it recounts the haphazard trek of a new arrival who has ignored an old-timers warning about the risks of traveling alone. Falling through the ice into a creek in seventy-five-below weather, the unnamed man is keenly aware that survival depends on his untested skills at quickly building a fire to dry his clothes and warm his extremities. After publishing a tame version of this story—with a sunny outcome—in The Youths Companion in 1902, London offered a second, more severe take on the mans predicament in The Century Magazine in 1908. Reading both provides an illustration of Londons growth and maturation as a writer. As Labor (1994) observes: "To compare the two versions is itself an instructive lesson in what distinguished a great work of literary art from a good childrens story."[A]
Other stories from the Klondike period include: "All Gold Canyon", about a battle between a gold prospector and a claim jumper; "The Law of Life", about an aging American Indian man abandoned by his tribe and left to die; "Love of Life", about a trek by a prospector across the Canadian tundra; "To the Man on Trail," which tells the story of a prospector fleeing the Mounted Police in a sled race, and raises the question of the contrast between written law and morality; and "An Odyssey of the North," which raises questions of conditional morality, and paints a sympathetic portrait of a man of mixed White and Aleut ancestry.
London was a boxing fan and an avid amateur boxer. "A Piece of Steak" is a tale about a match between older and younger boxers. It contrasts the differing experiences of youth and age but also raises the social question of the treatment of aging workers. "The Mexican" combines boxing with a social theme, as a young Mexican endures an unfair fight and ethnic prejudice in order to earn money with which to aid the revolution.
Several of Londons stories would today be classified as science fiction. "The Unparalleled Invasion" describes germ warfare against China; "Goliath" is about an irresistible energy weapon; "The Shadow and the Flash" is a tale about two brothers who take different routes to achieving invisibility; "A Relic of the Pliocene" is a tall tale about an encounter of a modern-day man with a mammoth. "The Red One" is a late story from a period when London was intrigued by the theories of the psychiatrist and writer Jung. It tells of an island tribe held in thrall by an extraterrestrial object.
Some nineteen original collections of short stories were published during Londons brief life or shortly after his death. There have been several posthumous anthologies drawn from this pool of stories. Many of these stories were located in the Klondike and the Pacific. A collection of Jack Londons San Francisco Stories was published in October 2010 by Sydney Samizdat Press.[75]
Novels: London writing, 1905
Londons most famous novels are The Call of the Wild, White Fang, The Sea-Wolf, The Iron Heel, and Martin Eden.
In a letter dated Dec 27, 1901, Londons Macmillan publisher George Platt Brett, Sr. said "he believed Jacks fiction represented the very best kind of work done in America."
Critic Maxwell Geismar called The Call of the Wild "a beautiful prose poem"; editor Franklin Walker said that it "belongs on a shelf with Walden and Huckleberry Finn"; and novelist E.L. Doctorow called it "a mordant parable ... his masterpiece."
The historian Dale L. Walker commented:
Jack London was an uncomfortable novelist, that form too long for his natural impatience and the quickness of his mind. His novels, even the best of them, are hugely flawed.
Some critics have said that his novels are episodic and resemble linked short stories. Dale L. Walker writes:
The Star Rover, that magnificent experiment, is actually a series of short stories connected by a unifying device ... Smoke Bellew is a series of stories bound together in a novel-like form by their reappearing protagonist, Kit Bellew; and John Barleycorn ... is a synoptic series of short episodes.
Ambrose Bierce said of The Sea-Wolf that "the great thing—and it is among the greatest of things—is that tremendous creation, Wolf Larsen ... the hewing out and setting up of such a figure is enough for a man to do in one lifetime." However, he noted, "The love element, with its absurd suppressions, and impossible proprieties, is awful."
The Iron Heel is interesting as an example of a dystopian novel that anticipates and influenced George Orwells Nineteen Eighty-Four. Londons socialist politics are explicitly on display here. The Iron Heel meets the contemporary definition of soft science fiction.
